{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://fiatiasa2020.aviaryplatform.com/iiif/p55db7w86q/manifest","type":"Manifest","label":{"en":["Glastonbury New Bands Competition: a report into the technical challenges migrating an optical disc collection"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/123/original/IASA-FIAT-Logo.png?1603820464","metadata":[{"label":{"en":["Venue"]},"value":{"en":["b. Session 1"]}},{"label":{"en":["Date"]},"value":{"en":["2020-10-27"]}},{"label":{"en":["Type"]},"value":{"en":["Paper"]}},{"label":{"en":["Agent"]},"value":{"en":["Tom Ruane (Speaker)","Gosha Shtasel (Speaker)"]}},{"label":{"en":["Description"]},"value":{"en":["The Glastonbury Festival donated the 2003 Ð 2006 competition entries for their New bands Competition to the British Library for long-term preservation; the collection totals over 4000 optical discs, primarily Compact Disc-Recordable (CD-R).  The New Bands Competition is run as part of the annual music festival and gives unsigned bands/musicians the opportunity to submit their demo recordings to a panel of judges, who then select their favourites to perform at the summer festival.  The collection was transferred to a stable file-based format in 2019, as part of the Library's ambitious Unlocking Our Sound Heritage project.  The migration of the collection presented many challenges, and contradictions - being optical media, large parts of the workflow could be automated, the data extracted verifiably bit-perfect and faster than real time. However as the collection is populated by poor-quality CD-R stock with many examples written in low-quality domestic burners, the data was not easily extractable in many cases and we had to develop a multi-stage workflow that could rip large quantities of discs without problem, while being easily adjustable to accommodate 1:1 transfer of severely degraded discs.Our paper will outline the step-by-step workflow and the hardware/software employed, including tools developed in-house, to successfully extract and preserve this unique content.  The collection represents a wonderful snap-shot of the British music scene in the early 2000s, which has now been fully preserved, and adds further re-enforcement that optical media is not a stable storage medium."]}},{"label":{"en":["Temp"]},"value":{"en":["FIAT_IASA1032"]}},{"label":{"en":["Identifier"]},"value":{"en":["143"]}}],"summary":{"en":["The Glastonbury Festival donated the 2003 Ð 2006 competition entries for their New bands Competition to the British Library for long-term preservation; the collection totals over 4000 optical discs, primarily Compact Disc-Recordable (CD-R). \u0026nbsp;The New Bands Competition is run as part of the annual music festival and gives unsigned bands/musicians the opportunity to submit their demo recordings to a panel of judges, who then select their favourites to perform at the summer festival. \u0026nbsp;The collection was transferred to a stable file-based format in 2019, as part of the Library's ambitious Unlocking Our Sound Heritage project. \u0026nbsp;The migration of the collection presented many challenges, and contradictions - being optical media, large parts of the workflow could be automated, the data extracted verifiably bit-perfect and faster than real time. However as the collection is populated by poor-quality CD-R stock with many examples written in low-quality domestic burners, the data was not easily extractable in many cases and we had to develop a multi-stage workflow that could rip large quantities of discs without problem, while being easily adjustable to accommodate 1:1 transfer of severely degraded discs.Our paper will outline the step-by-step workflow and the hardware/software employed, including tools developed in-house, to successfully extract and preserve this unique content. \u0026nbsp;The collection represents a wonderful snap-shot of the British music scene in the early 2000s, which has now been fully preserved, and adds further re-enforcement that optical media is not a stable storage medium."]},"provider":[{"id":"https://fiatiasa2020.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["FIAT IASA 2020"]},"homepage":[{"id":"https://fiatiasa2020.aviaryplatform.com/","type":"Text","label":{"en":["FIAT IASA 2020"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/123/original/IASA-FIAT-Logo.png?1603820464","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/116/592/small/NEW_1622833353_openuri20201105742vodudg.mp4_1622833357.jpg?1622818959","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://fiatiasa2020.aviaryplatform.com/collections/1193/collection_resources/32046/file/116592","type":"Canvas","label":{"en":["Media File 1 of 1 - NEW_1622833353_openuri20201105742vodudg.mp4"]},"duration":2169.536,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/116/592/small/NEW_1622833353_openuri20201105742vodudg.mp4_1622833357.jpg?1622818959","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://fiatiasa2020.aviaryplatform.com/collections/1193/collection_resources/32046/file/116592/content/1","type":"AnnotationPage","items":[{"id":"https://fiatiasa2020.aviaryplatform.com/collections/1193/collection_resources/32046/file/116592/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-fiatiasa2020.s3.wasabisys.com/collection_resource_files/resource_files/000/116/592/original/NEW_1622833353_openuri20201105742vodudg.mp4?1622818955","type":"Video","format":"video/mp4","duration":2169.536,"width":640,"height":360},"target":"https://fiatiasa2020.aviaryplatform.com/collections/1193/collection_resources/32046/file/116592","metadata":[]}]}],"annotations":[]}]}